The sets that Gina Kim proposed and arranged in the film Never Forever are interestingly polarized in terms of the financial states of the two protagonists, Sophie and Jihah. Sophie is a married woman and deeply in love with her husband, but attempts to suicide because of his infertility. Within this case, as a successful figure, he could be seen as a materialism representation including his big suburb house and car and so on, then the limited love that her husband gives t
看这片是冲着维拉法梅加去的,可没想到却是棒子产品。所谓期望愈大失望越大,所以期望越低反而越容易满足。惊喜有二:一是看到了期许已久维拉的激情裸戏;二是竟然发现这片乃是我最爱的类型。
剧情不再复述,直接说感受吧
我认为它之所以是一部好片的一个原因,是因为它的情节是如此不讲逻辑、随波逐流,如此真实。也许好电影就应该是不讲逻辑的,就像生活也是不讲逻辑的一样。安德鲁哪里不好了,金某某哪里好了,自己原配女友哪里不好了?为什么要…(省略500字)看来爱情确实是如此一样不靠谱的东西,来的时候犹如滔滔江水挡也挡不住,不来的时候挤也挤不出来,就好比安德鲁打100次飞机攒积的液体也不够苏菲怀孕一样。
爱情虽然不靠谱,但是还是有它很强的规律性的。这部电影把这规律归结为:女性是伟大的;而男人则是禽兽神仙两极分化,或者说所有男人都可以用神——兽这跟数轴上的某一点来表示。
安德鲁和金某某都是韩国来米国圆梦之人,结果命运迥异。他们就好像无数美国移民的缩影
第二次爱情:永远在哪里?
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