What makes Michael Haneke's latest film Caché a masterpiece is not the mysterious hidden camera enigmatically leading to a nightmarish thriller that results from disturbance in daily life, distrust among the family, and recurring vengeance between the local residents and the immigrants. Its brilliance lies in Haneke's successful attempts to reveal the nature of cinema by way of dispelling an illusion of reality, breaking the audience's addiction to the images, and gradually shaking its trust in what has been and is being shown in the film.
“隐藏摄像机”宏大！恐惧存在的平衡
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