不管社会发展到科技多么先进，物质多么丰腴，我们仍然会被物质所束缚，科技的便利与发达让人越来越没有了隐私，看似文明的社会却带给人们越来越空虚的精神世界！探索未来文明世界的科幻电影都为我们展现着一种消极的悲观色彩，越来越发达的科技，越来越充裕的物质，却越来越难以填补人们内心世界的荒芜！特瑞吉列姆用他近乎癫狂的想象力创造了一个看似自由却有着永远无法挣脱束缚的世界！他尽情的讨论着自由，宿命的不可抗拒，用阴暗的画面与倾斜的镜头展现着人们虚无的精神与潮水般的孤独！看着色彩斑斓的世界却感受不到一丝的和平与宁静，哪怕躲在阴暗的角落里也找不到一丝属于自己的空间与世界！电影几乎在一个阴暗幽闭的空间里为我们展述所有的剧情，看似简单重复的画面却给人一种脊背发凉的感觉，无时无刻全方位的监控几乎让人处在一个极度白色恐怖的环境之下，哪怕有一丁点自己的选择都会有人跳出来指责！人类的精神世界几乎是一片空白，唯有不停的工作才能让精神得以解脱，可是不断的催促与追赶几乎把人逼迫到崩溃的边缘
文明的发展并没有给人们带来自由和幸福 而是带来了全面压抑和精神痛苦，可悲的是人们都在物质享受的虚假满足中，丧失了痛苦意识而充满了幸福意识，心甘情愿地成为发达工业文明的奴隶。
工业文明是一种压抑性文明（即为了使文明永续而对性本能进行的附加压抑）,为了重建压抑性文明,必须重建新文明观念,树立新文明目标
特里·吉列姆“奥威尔三部曲”的前两部《妙想天开》和《十二猴子》，均以深刻的寓意、个人化的表现手法著称，在叙述上把握住了大众的兴趣，不会太通俗，也不至手太艰涩，刚刚好叩动心扉。到了收官篇《零点定理》，他却一反常态推出了一通拒人于千里之外的自说自话，而且不像硬科幻，多看几遍也无法豁然开朗或若有所悟，更辜负了大批影迷对吉列姆的期盼。
在认真欣赏了一遍《零点定理》后，几乎放弃了追索其涵义的努力。在对量子力学、哲学和混沌理论一窍不通的前提下
Terry Gilliam, Director: "I was very intrigued by the idea of disconnecting from the connected world 'cause we are so inundated with connections and information and I find it personally overwhelming to the point where I don't know what's important anymore and only by getting away from all the noise we live in, all the advertising, the media, the news, interviews - it never stops. The Internet, which I love also I hate because I can get lost in it every day. I can avoid doing what I should be doing by roaming the Internet. There's all sorts of stuff in there. It's hard to find the focus now of what things are and what's important and I think that seems to be part of the film for me and I'd become for a long time but just about just getting away from it all so you know who you are. Spend time on your own. No Tweeting. No telephone. No television. No games - just yourself. You could hav
【零点定理】一个科学宅男的证明之路，留下来的全是思考
转载请注明网址: https://www.2007dy.com/vod/id-58438.html
