Some post-review thoughts jotted down by a legit fan of Edward Norton. I have tried to put it in an objective way, but still, don’t read into it too much.
Edward Norton’s second directorial sally, 19 years after, KEEPING THE FAITH (2000), his long-in-gestation passion project MOTHERLESS BROOKLYN should have been awe-inspiring even it is only for the sake of its sententiously orchestrated retrospective flair, transcribed the story (in Jonathan Lethem’s source novel, published in 1999, the temporal frame is contemporaneous) to NYC in 1957, the film takes a nostalgic leaf from cinema’s archetypes of gumshoe mysteries in a by
第65部电影。伴随着诺顿无法克制的“IF”,全片剧终~
整部影片没有绝对的坏人,难以想象,连窥破事情真相的、诺顿的密友兼养父,都只是在冲突中被误杀。政要为了达到自己的目的,是牺牲了一大批人的利益,但他不过是想造座桥啊,就不能满足满足他吗?没有江大桥,城市怎么发展?肤色同胞们怎么获得更好的生活品质?不能细想,一直觉得政要在曲线救市,一大堆带着主角光环的人在拼命盘他……
“布鲁克林秘案”切莉·琼斯新作,对于一部处女座来说,算是不错的美国商业片。
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