The Guernsey Literary & Potato Peel Pie Society: The title is weird. The island is pretty. The war is cruel. The people are lovely. Books are powerful. Love is never wrong. A cute poem in the movie: “when I was three I was hardly me/ when I was four I was not much more/ when I was five I was just alive/ but now I’m six, I’m as clever as clever/ so I think I’ll be six now for, ever and ever” Inspired by this I wrote a lame poem: When I was fifteen snow danced in an
总体来讲是个文艺片。没什么剧情。
简单来讲就是女作家为了笔友，一脚踹开高富帅。文艺片最难处理的就是一些小心思。很多小的细节没必要加的，加进来不知道是什么意思，有些地方细节根本没出来，突然加段戏，也不知道什么意思。比如，女作家的出版商给她打电话的时候，听到她订婚以后微妙的表情；又比如，女作家写书完了（还是写书之前）找未婚夫说婚不结了，怎么突然就到这一步了，和养猪的农夫啥具体细节都没有，就一起走走路，偶遇一下，找个宝宝，听个故事，根本没有理由，也根本无法信服我好吧。
When I was three
I was hardly me
When I was four
I was not much more
When I was five
I was just alive
But now I am six
I'm as clever as a clever
So I think I'll be six
till forever and ever
看不少评论都冲女主爱情线去了，这里我想简单谈下这个配角，老妇人Amelia。作为一个普通人，自己的女儿被德国炸死了，很自然就对德国人恨之入骨。而伊丽莎白的介入，一定程度上缓解了老人的悲痛，同时也被老人视为自己的女儿。但当伊丽莎白交往了一个德国人的时候，老人却被仇恨蒙住了双眼，执意反对，甚至闹翻，最终造成无法弥补的缺憾。在照顾伊丽莎白的女儿时，老人才想通，是不是德国人，有没有德国血统并不重要，重要的是你究竟是什么人。
恨，是件很容易的事，不被其蒙蔽才是难能可贵的。
【根西岛文学与土豆皮馅饼俱乐部】不是所有唐顿集会都精彩
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