这是一部神奇的片子。它很难像《波西米亚狂想曲》一样那么的有代入感，它也并没有很清晰的描述出鲍勃迪伦的事迹，但却通过六个人物视角反映了在我看来是鲍勃迪伦的内心世界。无论是什么年代，这本就是一个充斥矛盾冲突等等的一个世界。有人在其中经历过张皇失措、经历迷失、经历挫败与背叛，即使这样，我想也绝不会选择庸庸碌碌的快乐。
年少有为的乡村音乐鼻祖，情感和见解能够表达的形式有多种，音乐是最直接。Haynes 以5位一体的手法，展现他的多面性，和Bob 本人不拘一格的多面性相应。生活无需解释，艺术直接表达，一千个听众就有一千个想法。影片同样，5各年龄段，不同选角，多面的感性演绎，给传记片本身增添一份意外的欣喜感。 时代和场景的任意切换和穿梭感，也颇具诗意的美感。
Narrator: There he lies. God rest his soul, and his rudeness. A devouring public can now share the remains of his sickness, and his phone numbers. There he lay: poet, prophet, outlaw, fake, star of electricity. Nailed by a peeping tom, who would soon discover...
Jude: A poem is like a naked person...
Narrator: even the ghost was more than one person.
Arthur: ...but a song is something that walks by itself.
Why do you prefer folk music to other types of music? Because it's honest. Commercial songs, pop music can't be honest. It's controlled and censored by the people who run society and make the rules.
Hell, I don't pick what I sing. It picks me. Some of it ain't pretty. I mean, how you ever gonna change anything if you only wanna show what's pretty?
“我不在那儿”好看的剧情片 传记片分为两种:传记片和鲍勃迪伦的传记片
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