生在苏联就是原罪。虽然获得了All Process,最后的表情已经没有平庸。不是巴黎补全他的Process,滋养他的依然是俄国,母亲。他说他依然是俄国式的。他自洽了,接受自己,出生于俄国的火车,和一个脏母亲。他愈合了,成长了。这就是all Process的才能。而不是需要巴黎的滋养,不是在巴黎,芭蕾的诞生地,才能真的学到芭蕾,all Process的Process看来不是这个意思。他只有跳舞,宏伟的想象,俄国启发他的。政治有时只是注脚,微不足道。天真的只钻研跳舞的孩纸。这就是一个活在苏联的艺术家。直到被召回。我也在想
6月15日,上海电影节开幕。开幕片《八佰》因为“技术原因”至今无法上映。
电影节最大的的亮点是《白乌鸦》的加映
用罕见的白色的乌鸦来形容桀骜不驯的芭蕾传奇巨星雷里耶夫Rudolf Nureyev(1938~1993)真是再贴切不过
当时芭蕾舞中男舞者仅仅是陪衬而已。雷里耶夫的出现使得男舞者与女舞者平分秋色
而他与芭蕾皇后玛戈·芳婷长达17年的合作成就了无与伦比的搭档记录
然而这样一位舞蹈家却险些遭到面临监禁与流放的命运
1938年3月17日“雷里耶夫出生在火车上,往后他也以时速100哩的速度度过了一生。”
The first dance, which I will name the mother's look in my summary, is the first debut of the white crow. He came from a humble background, and he always remeber the early rising of his mother because she need to drag the sleigh of food back in the snow. The smile and eyes of his mother when she find the boy waiting beside the window imprints on the boy's mind. He came across another lady at his mother's age, his teacher's wife, whose love makes him unable to breathe. His
白乌鸦:寻找未来几年该怎么活
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