The US has been using its strengths in industries to further its national strategic objectives ever since it first embarked on the path of Empire two and a half centuries ago. The US movie industry is no exception to be exploited by this American imperial tradition. Nurtured in and nutritioned with the prolific home-market, and having grown prodigally in the first half the of 20th century to become a major cashcow of the US economy by the end of WWII, the US film industry has been employed since as a prominent tool to serve the US propaganda goals and further the US imperial narrative.
从《末路狂奔》中命运多舛的小人物与《007：皇家赌场》中凶恶的反派，到上一届戛纳电影节的影帝以及今年最新美剧《汉尼拔》中的莱克特博士，麦兹•米科尔森始终不曾停下追寻新目标的脚步。他近来正在南非荒原拍摄一部小成本的丹麦西部片。这位曾经的舞者如今已成为当代最身手不凡的演员，而本次绝佳的机会让我们得以揭开隐藏在他重重身份后最真实的一面，这的确是令人兴奋不已的一次经历。
“麦兹对于我们这一代电影人非常重要。他的出现引爆了当今的丹麦电影界。”
——茜斯•乔金森，丹麦制片人
离开了柏油大路，将服务站周围等着打黑工的成群失业者抛在身后，远离闹市区污染的灰霾，我们取道坑洼不平的羊肠土路，颠簸了约70公里，终于抵达The Salvation（克里斯蒂安•莱沃执导）外景取景地。此处远离约翰内斯堡市①，海拔1800米，地处一望无际的稀树草原。该片内容为西部题材，故事背景设置在美国南北战争之后，由埃里克•坎通纳、伊娃•格林和麦兹•米科尔森出演
“救世”14年与17年的两次观后感
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