匪帮传奇的故事在老马丁的手里可以变得家长里短的张扬(见片长),同样是美国的意大利帮派分子,《好家伙》显然不同于《教父》的宏大悲壮,不像《美国往事》那样宣扬宿命与背弃,更不像《情枭的黎明》《疤面煞星》里那样强调阿尔帕西诺的个人至上主义。《好家伙》的成功在于,它把故事引到“利益原罪”这点上,没有永恒的兄弟与女人,永恒的利益成为亲疏远近的调和器,打着意大利家族伦理的幌子。还不是以一种深情款款的调子,而是插科打诨的戏谑。当然老马丁的戏谑永远不能归档于昆汀或盖里奇,老马丁始终还是带着“美国社会学家”的审慎态度用镜头调度极尽真实的美国的老时代。
He’s very determined that he’s gonna join the gang and he’s very good at it.
Is it meant to be?
What happened to the pure believer and never a snitch?
Life!
Anyone changes when there’s a danger and there must be a change.
Is he wrong to pursue something he loves? I think he’s not wrong but the environment makes him take this decision and it’s good chance to succeed.
环境很重要,那怎么找到好的环境呢?要看你的目标是什么,通常你越往你的目标前进
《好家伙》没有出卖不出卖,只有值得不值得
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